Episode 10 of Andor introduced the Star Wars sequence’ intense jail arc to an in depth on Disney Plus this Wednesday, revealing new depths to the Empire’s totalitarian cruelty. It pressured future insurgent hero Cassian Andor (Diego Luna) to make alliances and rally his fellow inmates to assist along with his dangerous escape plan.

Past these partitions, the regime can be tightening its grip on the galaxy in an try and choke all hope of riot. Formidable Imperial Dedra Meero (Denise Gough) is comfortable to implement its guidelines, however rebels like Mon Mothma (Genevieve O’Reilly) and Luthen Rael (Stellan Skarsgård) are working to convey the Empire crashing down.

So there’s loads of thrilling intrigue and espionage occurring, and that is precisely what you’d count on from creator and showrunner Tony Gilroy. He wrote the primary 4 Bourne films however is maybe finest recognized for writing and directing Michael Clayton. The extreme 2007 authorized thriller was nominated for seven Oscars, with Tilda Swinton taking residence the award for finest supporting actress.   

Tony Gilroy smiles in front an

Tony Gilroy says Andor has taken the time to make its characters really feel spherical and actual.

Alberto E. Rodriguez/Getty Photos for Disney

He additionally co-wrote Rogue One, the 2016 Star Wars spinoff that launched the morally questionable Cassian to a galaxy far, far-off. Andor, which is nearing the end of its 12-episode first season and will return for a second season main straight into Rogue One, dives into his previous and the early days of the Insurgent Alliance. 

I acquired to speak to the partaking Gilroy over Zoom about crafting a considerate Star Wars present, Andor’s jail arc, sleazy financier Davo Skuldun and the morality of Luthen’s riot.

This is a transcript of our dialog, edited for readability. This contains SPOILERS for Andor episode 10, so I would suggest holding off on studying till you’ve got seen as much as that time.


Q. I am unable to cease fascinated by Andor. Why is it so thought-provoking?
Gilroy: We’ve got plenty of very severe points on the desk; now we have plenty of fascinating characters that we have frolicked build up and that we perceive, performed by actually good actors. By design, and the pure stream of our story, we get to see folks make plenty of choices. 

Watching and feeling folks make choices that you just really feel invested in is a potent option to deeply emotionally join; that is what drama actually is. Even in the event you’re not figuring out with them, you may empathize with them, otherwise you really feel that they are actual — being pressured to do issues and also you surprise what you’d do.

It feels such as you’ve been affected person in constructing everybody up.
You may watch a automotive business, and in 12 seconds, they’ll break your coronary heart for a second. It disappears a second later, however you are feeling one thing. … What did they do? They performed that tune, they confirmed that factor, and the pet and the flag. … But it surely’s very fleeting. It is like empty energy. It dissolves and goes away. 

The actual key to dramatic energy and momentum is you are actually invested. I am carrying 190 talking components on this first half, and possibly 30 of them are essential, however they’re all spherical and actual. And in the event you actually care about them, it is as a result of we spend an additional couple of minutes ensuring that occurred. It is like cashing a verify: You may’t cannot take cash out of the financial institution that you just did not put in.

Kino Loy gives Cassian Andor a stern look in Andor

Kino Loy is all about getting the work achieved at first, taking part in into the Empire’s arms.


The jail arc has been actually partaking. What do you assume that horrible, stunning white jail says concerning the Empire?
Many issues: the callousness by which you are despatched there, the disinterest past your utility, the conceitedness to disregard providing you with any form of definition about once you is perhaps completed. … There’s the segregation of it [we’ve only seen humans in the prison] — I’ve seen folks on-line asking “The place are the aliens?” I am positive they would not put the alien creatures in the identical facility. They most likely have their very own. 

When you concentrate on the dimensions of the issues that must be constructed to maintain the Empire going, it is actually astonishing. A few of it could possibly be achieved by droids and clones, however as [Cassian says] ‘We’re cheaper than droids” and in the end disposable. I believe it comes right down to the truth that the Empire simply would not give a shit.

It is one of many first instances that live-action Star Wars has highlighted the Empire’s low-level, on a regular basis evil, versus the Empire blowing up planets.
There will be a speech in episode 11 that addresses a few of the issues that we’re speaking about — it is a heavy job to run the Empire. It is exhausting work.

Did you consciously keep away from prison-storyline tropes? As an example, the inmates aren’t attempting to shank one another, they usually’re truly form of supportive, which is good to see.
We had a five-day writers room with my brother Dan Gilroy and Beau Willimon [the show’s writers]; our manufacturing designer, Luke Corridor; and producer Sanne Wohlenberg. We’ve got this jail sequence and we’re questioning what it should be. I really like jail films. I’ve seen 1000’s of them. We have all seen 1000’s of them. So what will we try this’s new? 

So the concepts for the way the jail was designed — the way it was enforced with the flooring and the remaining — got here out of that. We had been attempting to determine the opposite day who got here up with what. I am unable to keep in mind, as a result of the room strikes actually quick.

Our preliminary pleasure of doing one thing that we’ve not seen earlier than rapidly turned: “My God, that is the jail they’d have. Why would they’ve every other jail every other means?” It’s extremely pleasing when that occurs.

Then we needed to construct the entire jail — each nook, each flange. The period of time that we spent worrying concerning the management rooms, the balcony that comes up and down, the place the lavatory is, who does what and what number of there are — all that stuff needs to be labored out.

It pays off. The jail feels very tangible.
It is an actual factor. We perceive it. Each inmate on that ground knew what their job was. All people within the jail knew what their job was. All people knew the right way to be on program. All people knew the place they slept. Everybody knew their cell. We made it in order that it is all extremely actual for everyone who’s there every single day on set.

Davo Skuldun smirks as the surveys Mon Mothma's living room in Andor

Davo Skuldun has a suggestion for Mon Mothma.


Leaping out of the jail to Coruscant, I really like the identify Davo Skuldun a lot. It is only a wonderful Star Wars legal moniker. The place does a man like that match into the construction of the Empire?
He is an oligarch. Mon Mothma is from Chandrila, which we have been constructing out as a really rich, very posh planet — plenty of rituals, ceremonies and traditions. Davo Skuldun is the nouveau riche. He is an oligarch.

I really like that scene between the 2 of them, I believe he is so nice along with her, and it is such a surprising factor that he requests [having their teenage children meet, presumably to bind their families through marriage].

I keep in mind Beau sending me that concept one night time — he goes, “You assume we will do that?” I am going, “We’ve got to do that.”

I really like how that scene is framed, the way in which they’re sitting aside in that completely stunning residence.
Genevieve [O’Reilly, who plays Mon] is the reward that simply retains giving. I knew her just a little bit from Rogue One. We knew we had been gonna have a giant half for her however did not understand how a lot she might do. She’s only a swinging actor. As soon as you already know that, you can begin to write down into it. And that makes it enjoyable. 

Luthen Rael looks in intense in a dark corridor in Andor

Luthen Rael accepts the sacrifice required by his marketing campaign of riot.


The very last thing we noticed in episode 10 was Luthen’s speech. It blew my thoughts. Do you assume he is actually given up on kindness? One might argue that he is doing it out of a way of galactic kindness.
We’ll spend plenty of time fascinated by that concept. And we are going to, by the point we’re completed [with Andor’s 24 episode-run], have defined the place he got here from. 

I do assume that what he is saying there may be true. I believe that the sacrifice that he is making is a damnation on himself. What’s unhappy about it’s that there’s kindness there, and it is kindness denied. I believe it is a accountability that you just tackle… the notion that you just actually should make the trigger above all the pieces else. Should you actually need to win, you actually give your self to one thing else. 

Most individuals who construct revolutions or construct huge actions — few of them truly ever get to see it. All by way of historical past, folks have died hoping that what they had been dying for was going to work out. It was most likely the very last thing they considered: “I hope this was value it.”

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